The authors applied transcranial direct current stimulation (tDCS) to the left inferior frontal cortex during speech production in combination with choral reading and metronome-timed speech. They found a significantly greater and more lasting effect of the fluency training combined with tDCS as compared with the same fluency training combined with sham stimulation.
The authors propose “that
tDCS over the left inferior frontal cortex during the fluent mode of
speaking facilitated plasticity of the frontal speech network and
prolonged its normalized functioning, resulting in lasting
improvements in fluency.” I completely agree with this explanation,
and it is amazing that this could be shown after a fluency training
of only five days with sessions of twenty minutes a day.
However, six
weeks after intervention, the reduction of stuttering in conversation
had decreased significantly also in the tDCS group. It is therefore,
important to find out how the fluency training can be improved – it
may not be sufficient to only extend the duration of training and
tDCS. We should therefore ask what exactly happens during chorus
reading or metronome-timed speech. What is the effect depending on,
and how can a similar effect be achieved in everyday talking?
The role of the left inferior
frontal gyrus
Chorus reading as well as
metronome-timed speech were shown to transiently normalize the
activation in the left inferior frontal gyrus (IFG, Broca’s area),
associated with a reduction or elimination of stuttering. But not
only the left IFG is under-activated during stuttered speech, the
left auditory cortex (Wernicke’s area) is under-activated too, and
also this is normalized by chorus reading and metronome-timed speech
(see Table 1 on my website for an overview). There seems to be a
relationship between left IFG activation and auditory activation
during speech.
Fibers of the superior
longitudinal fasciculus terminate in the IFG (see, e.g., Makris etal, 2005), and we can assume that the IFG is involved in the
processing of auditory feedback information provided via that fiber
tract. This processing, and by that, auditory-motor integration may
be impaired when the left IFG is under-activated during stuttered
speech. However, the immediate efficacy of chorus reading and
metronome timing on speech fluency suggests that the left-hemispheric
speech network is quite able to work well if certain requirements are
met – which is obviously the case during chorus reading and
metronome-timed speech. But what requirements are that?
Chorus reading and
metronome-timed speech
Therefore, chorus reading and metronome-timed speech do not only make the speaker listen to the externally given beat or pace, but also listen to his/her own speech. In this way, these conditions improve the processing of auditory feedback (the processing of verbal input is attention-depending – see below) and by that, auditory-motor integration is improved, which results in fluent speech.
A second argument against the hypothesis people who stutter benefit from external cues for syllable starts is that they are quite able to generate their own rhythm, for example, in singing as well as in speaking accompanied by rhythmic arm/hand movements. This is confirmed by an experiment conducted by Howell and El-Yaniv (1987): Adults who stutter were reading a short story (1) normally, (2) while listening to the clicks of a metronome and (3) while listening to clicks occurring at the beginning of every syllable, triggered by the intensity of the speaker’s voice (i.e., it was the participant’s self-generated rhythm). The third condition reduced stuttering nearly as effectively as the second one: The mean number of disfluencies on average in the story was 20.25 in the normal condition, 0.6 with metronome, and 2.5 with click at syllable onset.
The background:
attention allocation in motor behavior
Complex automatized
sequential motor behavior, e.g., in manual working, sports, dancing,
playing music, driving a car, etc., and also speaking requires the
ongoing integration of sensory input, among them sensory feedback, in
several modalities (visual, acoustic, tactile, kinesthetic) and with
that the appropriate allocation of perceptual- and processing
capacities for the respective behavior or task. I simply call this
the allocation of attention, even if the person often is not aware of
it, as it is an integral component of the behavior and was learned
and automatized together with that motor ability.
Errors in automatized
sequential behavior occur if the appropriate allocation of attention
is disturbed or was not correctly learned. For example, attention may
be distracted from sensory input, or overly focused on one component
of the sensory input, e.g., on one sensory modality. In speaking, the
first happens when the speaker is overly focused on the thoughts or
emotions that shall be expressed, or on the fear of disfluency; the
second happens when the speaker is too much focused on the feedback
of articulatory movements (e.g. in the attempt to avoid stuttering)
to the detriment of the auditory component and/or the proprioception
of breathing.
I propose that
developmental stuttering is caused by a misallocation of attention,
that is, of perceptual- and processing capacity during speech. The
misallocation may be due to several factors (see my last post in this
blog), but chorus reading and metronome-timed speech seem to be tasks
which compel the speaker to reallocate his/her attention, namely: to
listen during speech – not only to the co-speaker or to the
metronome, but also to his/her own speech.
Consequence for
treatment
In chorus reading and in metronome-timed speech, the speaker is compelled to reallocate attention, but might mostly not become aware of this fact, especially not of the fact that he or she must listen not only to the co-speaker or the metronome, but also to his/her own speech. Thus the reallocation of attention is not maintained in everyday talking. One goal of therapy should therefore be to make clients aware of the necessity to reallocate attention during speech, and to practice listening to one’s own words in everyday situations.
In chorus reading and in metronome-timed speech, the speaker is compelled to reallocate attention, but might mostly not become aware of this fact, especially not of the fact that he or she must listen not only to the co-speaker or the metronome, but also to his/her own speech. Thus the reallocation of attention is not maintained in everyday talking. One goal of therapy should therefore be to make clients aware of the necessity to reallocate attention during speech, and to practice listening to one’s own words in everyday situations.
Lateralization of
the processing of verbal acoustic input is depending on attention (it
is left-lateralized only during active listening; Poeppel et al.,1996; Rämä et al., 2012; Sabri et al., 2008), and particularly on
attention to the lexical aspect of speech (attention to the prosodic
or sound aspect draws processing to the right hemisphere; Hugdahl etal., 2003; Vingerhoets, Berckmoes, and Stroobant, 2003). What is true for the processing of
external verbal input might also be true for the processing of
auditory feedback. It is therefore important to
listen not only to one’s own voice, but to one’s own words.